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THE-ICONOMIST
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xxxspace

XXXSpace shares with Thomas Pynchon’s novel the intuition that military technology is never limited to its military function. In the universe of the book, the V-2 missile is both an object of mathematical precision and an erotic and mystical fetish, an “arc” that crosses the sky as a symbol of desire and death. The zine xxxspace

THE.ICONOMIST x MA-g (Museum of Avant-garde) Awards 2025

News from Switzerland: THE.ICONOMIST #issue7 and the zine F is for FRAGILITY were shortlisted for the Rosmarie Tissi Award in graphic design in the MA-g (Museum of Avant-garde) Awards. These publications will now become part of the institution’s contemporary collection.

Frauen, Hans Peter Feldmann

“80 per cent of artists are dealing with mother issues.” In this personal interview the internationally praised German artist Hans-Peter Feldmann muses on the magnetic power of women, and shares how he has used art as both escape and therapy. “Make a job out of it and all is lost.” Feldmann does not consider being Frauen, Hans Peter Feldmann

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Kyung-mook Kim, Faceless Things (2005)

Faceless Things (2005)Kyung-mook Kim (b. 1985) David Bordwell wrote:Warnings about gay sadomasochism to the contrary, this doesn’t offer much you can’t see in Warhol or Waters. What it does provide is three shots. The first, nearly 45 minutes long, provides virtually a one-act play about a motel tryst between a businessman and his teenage lover. The Kyung-mook Kim, <em>Faceless Things (2005)</em>

A memory that never belonged to you

You wake in a hotel room that is not the hotel room you fell asleep in the furniture is similar but not identical the curtains are heavier the light more artificial the bed too narrow and you wonder if the hotel has rearranged itself during the night to keep you confused or if you have A memory that never belonged to you

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memoryscape_2025

Memoryscape, a speculative short story by THE-ICONOMIST, investigates the collapse between memory, technology, and subjectivity. A narrator navigates feeds, notifications, algorithms, and system failures in search of himself, finding only residues: echoes, noises, and fragments of a life mediated by devices. Between archived dreams, captcha identities, and emotions translated into data, the book constructs a memoryscape_2025

gaston-bachelard_imagination

“We always think of the imagination as the faculty that forms images. On the contrary, it deforms what we perceive; it is, above all, the faculty that frees us from immediate images and changes them. … Imagination is essentially open and elusive. We could say that a stable and completely realized image clips the wings gaston-bachelard_imagination