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[21×28 cm, 58 pages, softcover. Shipping worldwide via MagCloud] Nº 7 — BIG DATA. The new issue of THE-ICONOMIST is structured around three verbs: to track, to store, to capitalize. They do not appear as themes or narrative devices, but as discrete operations — technical procedures that have become naturalized, embedded in daily life and issue-7_big_data_log

Nº 7 — BIG DATA. The new issue of THE-ICONOMIST n. 7 is structured around three verbs: to track, to store, to capitalize. They do not appear as themes or narrative devices, but as discrete operations — technical procedures that have become naturalized, embedded in daily life and in the forms of attention, language, and issue_7_big_data_to_track

SCREENSAVER is a continuous digital installation hosted on THE-ICONOMIST website, conceived as a perpetual stream of images collected, archived, and automatically recombined. Inspired by old screen savers, which prevented monitor burn-in while revealing accidental aesthetics. Each visit to the site activates a visual algorithm that reorganizes images from personal archives, public databases, and found fragments, screensaver by the iconomist

“Everything has to be reconstructed every day, every hour, every moment in my own brain and in the brain of the other.” “Metaphors for the mind”

“Ask yourself about the provenance, the use, what will become of eache of the objects you take out…”

Nº 6 — To consume/To waste. The ICONOMIST Issue 6 presents itself as a visual and textual essay examining the scars of a society sickened by late capitalism. Inspired by the seminal texts Junkspace by Rem Koolhaas and Infraordinary by Georges Perec, this edition not only observes but dissects neglected spaces, accumulated waste, and the the-iconomist_issue_6_to_consume_to_waste