
ISSUE Nº 10
To happen/To unhappen
Following Reality Check, an exploration of expectation, belief, and the fragmentation of reality into multiple, often conflicting perspectives, System of Situations takes the images from the previous issue as its starting point and throws them into a new set of circumstances. Through collage, these images collide with a myriad of everyday events, absurd situations, and ordinary observations, producing unexpected associations and deviations from their original meanings. This tenth issue is an experiment in progress. Its pages will be cooked over the coming week, allowing chance, interference, and improvisation to shape the final publication. For now, only the front and back covers are available. The complete issue will be released in print and available for purchase once the process is finished.
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ISSUE Nº 9
To believe/To discredit
The ninth issue of THE-ICONOMIST, titled Reality-Check, explores the fragmentation of shared reality in an era of continuous image circulation. Moving from a relatively common visual culture toward a polyculture of personalized information, the issue reflects on how images no longer simply represent the world, but increasingly anticipate, organize, and condition our experience of it. Events arrive through different screens, at different times, producing overlapping yet often incompatible versions of the same reality. The issue unfolds as a provisional assembly of disconnected realities, where every image suggests another possible connection and every act of looking becomes a way of inhabiting the world.
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Nº1 — To collect. We are happy to present the first thematic dossier of THE ICONOMIST. We explore the world of collecting and the people who do it. We look at the phenomenon of collecting from a variety of perspectives. All images in the issue were generated through artificial intelligence, as well as some texts, interviews, and short stories. The issue also includes selected texts by Susan Sontag, Emmanuel Levinas and Sergei Eisenstein. What are the limits of a collection? From garbage collectors to art collectors, from compulsive hoarders to collectors of weapons of mass destruction, the accumulators of power. The informal collectors, the professional collectors.
48 pages, 21x28cm, saddle-stitch binding, with shipping worldwide.

ACCIDENT & EMERGENCY_This zine presents a visual essay on the aesthetics of ruin and the relentless force of collapse, bringing together appropriated images of crashes, fires, and rollovers—where twisted metal and flames dance in the wake of destruction. Amid charred wreckage and distorted forms, a landscape of chaos and beauty emerges, a vestige of the moment when everything fell apart.
13x20cm, 48 pages, saddle stitched binding. Shipping worldwide.
Buy in print $15
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WHY WAR? starts from the question posed in the letter Why War?, exchanged between Sigmund Freud and Albert Einstein in 1932: why does war persist, even in the face of all the rationality we have supposedly achieved? The images gathered here do not aim to illustrate the history of conflicts, but to reveal their permanence — as if war, rather than an event, were a structure that reconfigures itself with each generation. According to recent studies by the Peace Research Institute Oslo, 2024 saw the highest number of simultaneous armed conflicts since the end of the Second World War — more than sixty active wars in thirty-six countries. Faced with this repetition, the images speak less of borders and more of a human condition that insists on not ceasing. This zine is, therefore, an archive of the continuity of violence — and an attempt to ask again, with Freud: why?
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