theiconomist

“The World as a Stage” is an experimental film based on images from public security cameras. Evoking William Shakespeare‘s famous phrase, the title suggests that everyday life is constantly under observation, turning us all into actors who play our parts in front of an invisible audience. Just as in the poem “All the World’s a

Cowboyrescues calffrom neighbor’s frozenpond using a lasso: video; WhyWarner Bros., Facebook, Equinoxwant to beyour office landlord;Canadian who blamed governmentfor wildfires guiltyof starting 14 himself; I’m a 4-footfashionista takingthe runway by storm — I’ve neverlet my short staturehold me back;

Nº 5. Inaugurating its new volume of publications, THE-ICONOMIST presents an unusual thematic dossier built around the verbs “To watch” and “To speculate”. Inspired by excerpts from Michel Foucault’s book “Discipline and Punish: The Birth of The Prison” and William Shakespeare’s poem “All The World’s A Stage”, we explore the complex issues of surveillance in the-iconomist-issue-5-the-world-is-a-stage-2024

Through this volume, we address crucial themes such as privacy and power, violence and social behavior, technology and ethics. In addition, we have enriched our analysis with selected texts by renowned authors such as Octavia Butler, Don DeLillo, Jean Baudrillard, Thomas Elsaesser, Anne Carson, Guy Debord, Marshall McLuhan and Barbara Kruger, among others. This new the-iconomist-n5-the-world-as-a-stage-spreads

KITCHEN 9X9. This zine takes as its starting point a collection of images of kitchens found on the internet; a kitchen set in a television studio, people with kitchen as their surname, kitchens throughout history, works of art depicting kitchens and other representations. 13x20cm, 48 pages, saddle stitched binding. Shipping worldwide. $15 USD Buy in ti_zines_kitchen_9x9_

“PROPOSALS FOR A POST-PORTRAIT”, 2022-2023seventy-nine digital images, 1024x1024px eachpart of the “ARTIFICIAL” collection

What is THE-ICONOMIST? I imagine it as a cross between the imaginary museum proposed by André Malraux and Aby Warburg’s mnemosyne atlas adapted to a post-digital context dominated by artificial intelligence services. Just as over a hundred years ago the ready-made drew attention to the exchange value of the work of art, the artist-ready-made also about

“PROPOSALS FOR RECEIVERs”, 2023forty-four digital images, 1024x1024px eachpart of the “ARTIFICIAL” collection

25TH NOVEMBER_This zine is part of the 365 series, made from images related to or taken on a specific day of the year. The only restriction is that images taken or related to the current year are forbidden.