theiconomist

They say that the face is the mirror of the soul. They say that images generated by artificial intelligence have no soul, they are like mirages. MIRROR:MIRAGES presents forty-three mysterious artificially generated faces accompanied by excerpts from the short story “The Mirror”, written by Guimarães Rosa, one of the greatest authors of Brazilian literature. In mirror-mirages_2024

Nº 5. Inaugurating its new volume of publications, THE-ICONOMIST presents an unusual thematic dossier built around the verbs “To watch” and “To speculate”. Inspired by excerpts from Michel Foucault’s book “Discipline and Punish: The Birth of The Prison” and William Shakespeare’s poem “All The World’s A Stage”, we explore the complex issues of surveillance in the-iconomist-issue-5-the-world-is-a-stage-2024

Through this volume, we address crucial themes such as privacy and power, violence and social behavior, technology and ethics. In addition, we have enriched our analysis with selected texts by renowned authors such as Octavia Butler, Don DeLillo, Jean Baudrillard, Thomas Elsaesser, Anne Carson, Guy Debord, Marshall McLuhan and Barbara Kruger, among others. This new the-iconomist-n5-the-world-as-a-stage-spreads

“PROPOSALS FOR A POST-PORTRAIT”, 2022-2023seventy-nine digital images, 1024x1024px eachpart of the “ARTIFICIAL” collection

What is THE-ICONOMIST? I imagine it as a cross between the imaginary museum proposed by André Malraux and Aby Warburg’s mnemosyne atlas adapted to a post-digital context dominated by artificial intelligence services. Just as over a hundred years ago the ready-made drew attention to the exchange value of the work of art, the artist-ready-made also about