“Everything everything everything everything. A world on edge of destruction. Objects become precious, matter becomes subject to feel of reverence. This is an art form for artists. The mass of people appreciate Modern art 50 years after its practice. This art form will not be subject to this time lag since it is unlikely that … words_gustav metzer
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Nº 7 — BIG DATA. The new issue of THE-ICONOMIST n. 7 is structured around three verbs: to track, to store, to capitalize. They do not appear as themes or narrative devices, but as discrete operations — technical procedures that have become naturalized, embedded in daily life and in the forms of attention, language, and … issue_7_big_data_to_track
In the contemporary context, where we live under the dominance of an incessant, global flow of digital images, the magazine appropriates, reconfigures, and presents this visual universe, creating a space for pause, reflection, and critique.
“When I speak of time, it is not yetWhen I speak of a place, it has disappearedWhen I speak of time, it already is no more”
“Everything has to be reconstructed every day, every hour, every moment in my own brain and in the brain of the other.” “Metaphors for the mind”
POINT_OF_NO_RETURN.MP42025, 7m45s, color, sound,
“Ask yourself about the provenance, the use, what will become of eache of the objects you take out…”
Nº 6 — To consume/To waste. The ICONOMIST Issue 6 presents itself as a visual and textual essay examining the scars of a society sickened by late capitalism. Inspired by the seminal texts Junkspace by Rem Koolhaas and Infraordinary by Georges Perec, this edition not only observes but dissects neglected spaces, accumulated waste, and the … the-iconomist_issue_6_to_consume_to_waste
They say that the face is the mirror of the soul. They say that images generated by artificial intelligence have no soul, they are like mirages.
