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In the contemporary context, where we live under the dominance of an incessant, global flow of digital images, the magazine appropriates, reconfigures, and presents this visual universe, creating a space for pause, reflection, and critique.

“When I speak of time, it is not yetWhen I speak of a place, it has disappearedWhen I speak of time, it already is no more”

“Everything has to be reconstructed every day, every hour, every moment in my own brain and in the brain of the other.” “Metaphors for the mind”

POINT_OF_NO_RETURN.MP42025, 7m45s, color, sound,

“Ask yourself about the provenance, the use, what will become of eache of the objects you take out…”

They say that the face is the mirror of the soul. They say that images generated by artificial intelligence have no soul, they are like mirages.

“The World as a Stage” is an experimental film based on images from public security cameras. Evoking William Shakespeare‘s famous phrase, the title suggests that everyday life is constantly under observation, turning us all into actors who play our parts in front of an invisible audience. Just as in the poem “All the World’s a

Cowboyrescues calffrom neighbor’s frozenpond using a lasso: video; WhyWarner Bros., Facebook, Equinoxwant to beyour office landlord;Canadian who blamed governmentfor wildfires guiltyof starting 14 himself; I’m a 4-footfashionista takingthe runway by storm — I’ve neverlet my short staturehold me back;

STAYNONSTOP is a photobook consisting of a selection of 130 images generated by artificial intelligence. The images are accompanied by fragments of artists’ texts from different sources. The name of the book comes from a reflection on how addictive these image production processes through artificial intelligence can be, like everything these days. By placing these